As the blockbusting franchise returns with The Fate of the Furious, what
does it have to say about America’s obsession with cars?
Fast
cars and Hollywood have always been a crucial part of American
identity, with the former helping to shape the cool identity of the
latter, adding an aspirational accessory to aspirational imagery on
screen. In turn, cinema was America’s subconscious writ large; the
American dream played out across multiplexes nationwide. Anyone could
become anything they wanted, and their exploits were projected before
the eyes of millions at 24 frames a second.
In the past decade, the retooled Fast and Furious franchise (the eighth chapter of which speeds into cinemas this week)
has taken that relationship to the next level, turning cars into a
status symbol of almost religious importance. They’ve always denoted
cool, courage and wealth, but now they aren’t just vehicles with which
to smash speed limits and chase villains – they are vehicles of social
mobility in and of themselves. Few would have predicted it, but right
now the clearest example of the American dream on screen is a macho
telenovela with a $250m budget.
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